Five Best, Part 1 – Landscapes.
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It has been almost 6 months since I started my 365 project (about a week to go before I pass the halfway mark) so I thought for the next few Fridays I would post my five favourite photographs in a few categories for the preceding six months; along with a brief paragraph on each image.
This week I’ve decided to start with landscapes. Landscape images tend to be the most generally appealing images for most people. Who doesn’t like a good landscape?
Unfortunately, in my case, landscapes are not a type of photography I find that I typically do well with. I haven’t yet been able to figure out why, but I find my compositions somewhat lacking in drama and interest.
The first photo (on the left) is actually the first landscape I took for the year in Guyana. It is here mostly for that reason, but also because I am pleased with the textures and earth tones that I got.
This was a snapshot more or less. I had returned to Guyana the previous day I think and was still getting things on track. I hadn’t take a photograph all day and was in a rush later in the afternoon to look for an appropriate photograph.
After having been house bound in Canada in winter for a while I was anxious to find something to photograph out of the house or yard so I went for a drive to the seawall and ended up having to be satisfied with this one as I’d taken only a few and didn’t have anything else.
There is very evident barrel distortion from the wide angle lens in the horizon. I can correct that, maybe at some later stage.
The next image is actually my favourite of my landscape shots for the year so far (on the right). It is an image of a flock of birds flying towards the setting sun. It is a very generic image though; generic in that it has been done many times before by many people, and there is nothing here to distinguish this scene from a similar scene in any other country.
I was driving on the west coast heading south to the Harbour Bridge when I saw the sun reflecting in the drainage canal. It was still relatively early in the evening, not anywhere near as dark as the photo makes it appear. But what caught my eye was the very yellow/orange sun and the green fields.
I crossed the road and probably annoyed the hell out of a number of people chatting by the corner, but standing up there taking pictures, walking around the place and generally getting in everyone’s way.
It was immediately evident that I had to make a choice between beautiful green fields and a blown out sky (all white) or a deep orange sun and no green fields. The dynamic range of the light, from brightest to darkest was too much for the camera to capture without a tripod and multiple exposures overlaid on each other (HDR).
The thing that made me decide was, of course, the birds in the sky. Without them, this image would never had made if off my computer. In order to get the birds and the nice orange glow I had to underexpose the scene severely. It is much darker here than it was naturally.
The third image in my list is on the left. It is a small area located at the Bounty Farms location at Timehri. It is a beautiful and restful spot. Verdant and cool and rich in Guyaneseness (believe it or not, I just made that up). When you stand there you realise why it is that migrants want to return home to Guyana and why some of us stay despite the hardships we may face.
It is by no means a unique spot in Guyana, they can be found in many places and guises, but it is quintessentially Guyanese.
At my friend Michael’s kind invitation the family and I went one Sunday. It was to have been an opportunity to take some photographs in a scenic location. But with spots like these to sit and relax, it would have been just as fun to drink a couple beers and talk nonsense.
The photo did present some challenges, it was quite dark under the trees and on an overcast day there wasn’t much chance of a steady shot without a tripod, particularly as I had to stop down to get a decent depth of field. Fortunately, luck played an important part and one or two of the photos I took here were reasonably sharp. It was a lesson I took to heart though. I have my tripod with me always now. I’d prefer not to need it, than not to have it.
It is a bad idea to rely on luck though, I highly recommend preparation instead.
My fourth favourite so far is of a scene that is very familiar to most Georgetown inhabitants. Coincidentally, it also happens to be to only one of my favourite landscape photos for the year so far that is also in landscape orientation (wide rather than tall).
People who regularly look at my pictures will notice that I have taken quite a few of these (and other) benches. Benches are a subject of fascination for some photographers, myself included. I could explain why they fascinate me, but this post is already too long 🙂
This particular photo was taken just after a heavy rainstorm. As soon as I saw this scene I knew I needed to take a nice photograph, but I had no idea how to do it. Because the benches are in a line along the horizon it was difficult for me to visualize a composition which would show the reflections, the benches and the sky without overexposing the sky or turning the benches into silhouettes.
There is also a lot of background clutter in the vicinity that I didn’t want in this shot. As it is I think it turned out pretty well. I got another shot, very similar, that is actually one of my favourite shots of the year so far. But that is another post.
The last of my favourite five landscapes for the past six months was taken at the Botanical Gardens about a week ago. It was very carefully composed to take advantage of the line of rocks leading the eye to the monument, while the monument is framed to some extent by the palm trees on either side.
There is also the white structure set below the warm blue sky (warmed and deepened by a polarizing filter). As far as these things go with me (which is not that far) I put a fair amount of effort into ensuring all the elements are where I want them to be. I am not always so planned in my compositions. It may not be the greatest photo, or even the greatest photo I have done in the last six months, but what it represents for me is important.
This is an image that results from a significant degree of practise and effort. I am sure others could do better, but I am proud of this one.
Hope you enjoyed the set.