My blog has moved, see the new site at http://blog.badlightgoodlight.com
This is partially a follow up, or maybe follow on, to my post “the camera that took the photo“.
There are a lot of photographers taking pictures these days. And there are a lot of good pictures to be seen. If you are just taking photographs to please yourself, then read no further. If you want to do something more, well why don’t you let an expert like me provide some guidance. After all, one person actually bought a photo from me once 🙂 And if that doesn’t qualify me as an expert, I don’t know what will.
Joking aside, you need certain things to take a good photograph. A good camera helps, a good eye (or two) is useful, practice is essential and a critical, but sometimes overlooked component, opportunity.
A significant component of opportunity is the ability not just to look, but actually to see. I am not trying to be obscure or obtuse. I will elaborate. One of the questions I’ve been asked, by literally . . . one person is; “how did you spot that?” This was asked with regard to my take on a fairly routine scene (not the image above).
The answer is, I make a strong effort to see what I am looking at. My friend Michael in a recent post on his blog suggested that to gain inspiration you should change your environment a bit and see things with fresh eyes. I agree entirely, but that is not the only way I find something to photograph.
A significant part of my process is to simply look around me to see things that others may notice in passing but never glance twice at, simply because the world moves at such a speedy pace. I try to keep my eyes fresh even if I am in an environment that I see every day.
My approach then, is a contemplative one. To go somewhere different is to see a scene with fresh eyes, but I believe that the biggest gasp you will ever get from a viewer is to show them in a new light something that they have been looking at every day, but not really seeing.
The image posted at the top of this post is a classic example of the approach Micheal suggested. Going somewhere different, even if it is familiar, and looking around with fresh eyes. It is also an example of being in the right place at the right time, luck in other words (look closely at the window of the abandoned building). But Venetian Shadow (above) is the real example of what I am talking about.
Initially, it is a lot of work, this whole looking and seeing at the same time. At the beginning of the year when I started my picture a day project I was faced with an apparent dearth of subjects (suburban Scarborough in winter). It forced me to look and see in order not to break my project so early on. When I returned home two months into the year that practice stood me in good stead as it seemed I was spoiled for subjects. I was seeing interesting scenes everywhere I looked.
Within a couple of months that stopped and I had to start making an effort again to see what I was looking at. No bad thing really, but certainly challenging. The point of all of this is that with practice you can become skilled, with talent you can occasionally produce good images, but unless you see what you look at, you will never consistently produce good images. Each aspect of good photography is integral to the subject as a whole. Do one less well than the others and the whole will suffer.