My blog has moved, see the new site at http://blog.badlightgoodlight.com
NOTE: This is republished from a note I posted on Facebook on April 22, before I started this blog.
People are always asking me if I edit my photos. The answer is a qualified “no”.
To a photographer, editing a photograph means altering the image to either put something into it that was not there, or removing something that is in the scene, but unwanted.
Even then, it is a matter of degrees. Famous portrait photographer Ann Leibovitz (pregnant Demi Moore on the cover of Vanity Fair) often produces composites.
She takes the photo of the person in front of a neutral background while her assistants look for and photograph suitable backgrounds. The portrait of the person is then placed on the background. There are opinions that while the result might be art, it is not a photograph. Opinions are divided.
The vast majority of my photographs are processed, but not edited. The images that are produced by my camera are in a special format called “RAW” or digital negatives.
Digital negatives, like negatives from a film camera, cannot be used as is. They have to be processed, like a photographer would have to process film from a film camera.
Serious photographers, in the film days, would have had their own darkrooms (and there are still a significant number of photographers who still use film and have darkrooms) and done their own processing and printing.
I use software to process my digital negatives (called “Lightroom” in a brilliant bit of naming by Adobe). The process is entirely analogous to the “washing” of film to produce negatives, and subsequent printing of the negatives.
A modern digital cameras, that you might carry around in your pocket is more like a Polaroid instant camera than a regular film camera. The processing of the image to produce something you can put online, on facebook or print is done within the camera. So you have a usable image milliseconds after releasing the shutter.
All the things that I might do in Adobe Lightroom or a film photographer might do in his darkroom are done for you, by the camera itself.
Because all the decisions as to how to process the image are done by the camera itself a lot of the flexibility is lost, but you get an image that can be used immediately. The convenience of having the usable image immediately, outweighs the processing flexibility of having the digital negative, for most people.
Even professional photographers, sports photographers or photo journalists, often prefer to have the finished photo straight out of the camera as deadlines have to be met, and the subtlest nuances of a scene are not of great import. Their need is to have a usable image as quickly as possible.
When I photograph a scene I will often take a significant number of photographs that have only the subtlest differences in composition and lighting. I then take all the images into my lightroom see which one(s) I think is best. If more than one I then process them to see which looks best as representative of what I want the photograph to say. And it is that final selection that I might print or put online.
Processing decisions I might make include adjusting the contrast, cropping the image, changing the white balance (if the camera got it wrong, or if for aesthetic reasons I prefer the image warmer or cooler), sharpening the image (this is a requirement for digital images because of the way the sensor captures the image) or converting colour to monotone.
I’ve seen negative reactions when I have tried to explain this to people in the past. But what I do is no different from what the average camera does automatically in order to produce a pleasing JPEG. The difference is that I make all the decisions myself for reasons of control, whereas most people prefer the speed of allowing their camera to make the decisions automatically for reasons of convenience.
I’ve had people look at a monotone image of mine (black and white) and commented favourably, then looked at a nicely saturated colour image and asked if I’ve “edited” the image. I’ve always wanted to ask if that person sees in black and white and how come I didn’t get the dreaded “edited” question when they saw that photo?
Most, or all of the processing that I might do in lightroom were (and still are) done by film photographers save that film processing is a lot more difficult, time consuming and expensive.
I do edit (by my own definition) my photographs from time to time. I have no easy way to check, but by recollection, of the fourteen or fifteen thousand images I’ve taken over the last four years I’ve edited less than five. The edits usually consisted of removing (cloning out) electrical wires from a scene.
I’ve put two versions of a photo I took yesterday, below. The first one [to the right] is the original straight out of the camera without any additional processing by me. The top of the image is overexposed because I exposed it for the reflection in the water. You can see the result of the overexposure in the City Hall tower. It is very white and little detail of the windows or the wood can be seen (its “blown out” in the parlance). The white balance is also incorrect. This was after 4 p.m. so the light was very warm, golden afternoon sunlight. What is white in the image, should really be yellow.
The second image results from my processing [below right]. I’ve applied a -1ev gradient (graduated darkening, more darkening at the top, less darkening towards the middle), raised the black clipping point (made the deepest shadows pure black rather than just shadowed, very subtle) and some slight sharpening. This processing was done in less than a minute and the result more closely matches what I saw through the lens.
Although the white balance is inaccurate (the camera made the wrong choice), for aesthetic reasons I’ve not corrected it.
I’ve also edited the image. I cloned out the electrical wire at the top right.
I take photographs for strictly aesthetic reasons, I am not an archivist and not overly concerned with accuracy. What I want to achieve when I take a photograph is to convey the impact that the scene made on me. Usually, in order to convey that impact it is necessary to compose and/or process the image in creative ways.